References

Readings

• 'The General Antagonism: An Interview With Stevphen Shukaitis' from Harney, S., & Moten, F. (2013). The Undercommons: Fugitive Planning and Black Studies. Wivenhoe: Autonomedia.

• Bodó, Balázs (2019): 'The science of piracy, the piracy of science. Who are the science pirates and where do they come from': Part I + Part II

• * Mars, Marcell, Zarroug, Manar & Tomislav Medak (2015): Public Library (an essay) [1]

• Olson, H. A., 'Mapping Beyond Dewey’s Boundaries: Constructing Classificatory Space for’ Marginalized Knowledge Domains', from LIBRARY TRENDS, Vol. 47, No. 2, Fall 1998, pp. 253-254

• "Black Annotation, Black Redaction" from Sharpe, C. (2016). In The Wake: On Blackness and Being. Duke University Press, pp. 113-120

• Kleesattel, I. 'Situated Aesthetics for Relational Critique: On Messy Entanglements from Maintenance Art to Feminist Server Art', Stalder, F., Sollfrank, C., Niederberger, S., & Diaphanes. (2021). Aesthetics of the Commons. pp. 181–197

Books

• Whose Book Is it Anyway?: A View from Elsewhere on Publishing, Copyright and Creativity. (2019). Open Book Publishers.

• Cruz, M. I., & Rossenova, L. (2015). Bookspace: Collected essays on libraries. London: Inland Editions.

• Illich, I. D. (1985). Tools for conviviality. London: Marion Boyars.

• Sharpe, C. (2016). In the Wake: On blackness and being. London: Duke University Press.

• Lankes, R. D. (2016). The Atlas of New Librarianship Cambridge, Massachusetts : MIT Press

• Harney, S., & Moten, F. (2013). The Undercommons: Fugitive Planning and Black Studies. Wivenhoe: Autonomedia.

Films

• Alain Resnais (1959), Toute la mémoire du monde/All The Memory of the World
• Bregtje van der Haak (2014), Digital Amnesia
• Brian Knappenberger (2014), The Internet's Own Boy: The Story Of Aaron Swartz