Difference between revisions of "References"
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* Kleesattel, I. [https://parallel-library.simonbrowne.biz/calibre/book/40 'Situated Aesthetics for Relational Critique: On Messy Entanglements from Maintenance Art to Feminist Server Art'], Stalder, F., Sollfrank, C., Niederberger, S., & Diaphanes. (2021). ''Aesthetics of the Commons''. pp. 181–197 | * Kleesattel, I. [https://parallel-library.simonbrowne.biz/calibre/book/40 'Situated Aesthetics for Relational Critique: On Messy Entanglements from Maintenance Art to Feminist Server Art'], Stalder, F., Sollfrank, C., Niederberger, S., & Diaphanes. (2021). ''Aesthetics of the Commons''. pp. 181–197 | ||
* Weinmayr, Eva (2019): [https://parallel-library.simonbrowne.biz/calibre/read/34/pdf#page=6 Confronting Authorship, Constructing Practices (How Copyright is Destroying Collective Practice) | * Weinmayr, Eva (2019): [https://parallel-library.simonbrowne.biz/calibre/read/34/pdf#page=6 Confronting Authorship, Constructing Practices (How Copyright is Destroying Collective Practice)] in: ''Whose Book is it Anyway? A View from Elsewhere on Publishing, Copyright and Creativity''. Edited by Janis Jefferies and Sarah Kember | ||
== Books == | == Books == | ||
Revision as of 09:49, 4 October 2021
Readings
- 'The General Antagonism: An Interview With Stevphen Shukaitis' from Harney, S., & Moten, F. (2013). The Undercommons: Fugitive Planning and Black Studies. Wivenhoe: Autonomedia.
- Bodó, B. (2019): 'The science of piracy, the piracy of science. Who are the science pirates and where do they come from': Part I + Part II
- Mattern, S. (2019) 'Fugitive Libraries' Places Journal, October 2019. Accessed 03 Oct 2021. https://doi.org/10.22269/191022
- Mars, M., Zarroug, M., Medak, T. (2015): Public Library (an essay)
- Olson, H. A., 'Mapping Beyond Dewey’s Boundaries: Constructing Classificatory Space for’ Marginalized Knowledge Domains', from LIBRARY TRENDS, Vol. 47, No. 2, Fall 1998, pp. 253-254
- "Black Annotation, Black Redaction" from Sharpe, C. (2016). In The Wake: On Blackness and Being. Duke University Press, pp. 113-120
- Kleesattel, I. 'Situated Aesthetics for Relational Critique: On Messy Entanglements from Maintenance Art to Feminist Server Art', Stalder, F., Sollfrank, C., Niederberger, S., & Diaphanes. (2021). Aesthetics of the Commons. pp. 181–197
- Weinmayr, Eva (2019): Confronting Authorship, Constructing Practices (How Copyright is Destroying Collective Practice) in: Whose Book is it Anyway? A View from Elsewhere on Publishing, Copyright and Creativity. Edited by Janis Jefferies and Sarah Kember
Books
- Whose Book Is it Anyway?: A View from Elsewhere on Publishing, Copyright and Creativity. (2019). Open Book Publishers.
- Cruz, M. I., & Rossenova, L. (2015). Bookspace: Collected essays on libraries. London: Inland Editions.
- Illich, I. D. (1985). Tools for conviviality. London: Marion Boyars.
- Sharpe, C. (2016). In the Wake: On blackness and being. London: Duke University Press.
- Lankes, R. D. (2016). The Atlas of New Librarianship Cambridge, Massachusetts : MIT Press
- Harney, S., & Moten, F. (2013). The Undercommons: Fugitive Planning and Black Studies. Wivenhoe: Autonomedia.
Films
- Alain Resnais (1959), Toute la mémoire du monde/All The Memory of the World
- Bregtje van der Haak (2014), Digital Amnesia
- Brian Knappenberger (2014), The Internet's Own Boy: The Story Of Aaron Swartz