Difference between revisions of "References"
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* Olson, H. A., [https://parallel-library.simonbrowne.biz/calibre/book/10 'Mapping Beyond Dewey’s Boundaries: Constructing Classificatory Space for’ Marginalized Knowledge Domains'], from ''LIBRARY TRENDS, Vol. 47, No. 2, Fall 1998'', pp. 253-254 | * Olson, H. A., [https://parallel-library.simonbrowne.biz/calibre/book/10 'Mapping Beyond Dewey’s Boundaries: Constructing Classificatory Space for’ Marginalized Knowledge Domains'], from ''LIBRARY TRENDS, Vol. 47, No. 2, Fall 1998'', pp. 253-254 | ||
* an [https://parallel-library.simonbrowne.biz/calibre/read/49/pdf#page=126 excerpt] ("Black Annotation, Black Redaction") from Sharpe, C. (2016). ''In The Wake: On Blackness and Being''. Duke University Press, 113-120 | |||
== Books == | == Books == | ||
Revision as of 19:11, 2 October 2021
Readings
- 'The General Antagonism: An Interview With Stevphen Shukaitis' from Harney, S., & Moten, F. (2013). The Undercommons: Fugitive Planning and Black Studies. Wivenhoe: Autonomedia.
- Bodó, Balázs (2019): 'The science of piracy, the piracy of science. Who are the science pirates and where do they come from': Part I + Part II
- Olson, H. A., 'Mapping Beyond Dewey’s Boundaries: Constructing Classificatory Space for’ Marginalized Knowledge Domains', from LIBRARY TRENDS, Vol. 47, No. 2, Fall 1998, pp. 253-254
- an excerpt ("Black Annotation, Black Redaction") from Sharpe, C. (2016). In The Wake: On Blackness and Being. Duke University Press, 113-120
Books
- Whose Book Is it Anyway?: A View from Elsewhere on Publishing, Copyright and Creativity. (2019). Open Book Publishers.
- Cruz, M. I., & Rossenova, L. (2015). Bookspace: Collected essays on libraries. London: Inland Editions.
- Illich, I. D. (1985). Tools for conviviality. London: Marion Boyars.
- Sharpe, C. (2016). In the Wake: On blackness and being. London: Duke University Press.
- Lankes, R. D. (2016). The Atlas of New Librarianship Cambridge, Massachusetts : MIT Press
- Harney, S., & Moten, F. (2013). The Undercommons: Fugitive Planning and Black Studies. Wivenhoe: Autonomedia.
Films
- Alain Resnais (1959), Toute la mémoire du monde/All The Memory of the World
- Bregtje van der Haak (2014), Digital Amnesia
- Brian Knappenberger (2014), The Internet's Own Boy: The Story Of Aaron Swartz