Difference between revisions of "References"
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* Lankes, R. D. (2016). [https://parallel-library.simonbrowne.biz/calibre/book/50 ''The Atlas of New Librarianship''] Cambridge, Massachusetts : MIT Press | * Lankes, R. D. (2016). [https://parallel-library.simonbrowne.biz/calibre/book/50 ''The Atlas of New Librarianship''] Cambridge, Massachusetts : MIT Press | ||
* Harney, S., & Moten, F. (2013). ''The Undercommons: Fugitive Planning and Black Studies''. Wivenhoe: Autonomedia. | |||
== Films == | == Films == | ||
Revision as of 18:18, 2 October 2021
Books
- Whose Book Is it Anyway?: A View from Elsewhere on Publishing, Copyright and Creativity. (2019). Open Book Publishers.
- Cruz, M. I., & Rossenova, L. (2015). Bookspace: Collected essays on libraries. London: Inland Editions.
- Illich, I. D. (1985). Tools for conviviality. London: Marion Boyars.
- Sharpe, C. (2016). In the Wake: On blackness and being. London: Duke University Press.
- Lankes, R. D. (2016). The Atlas of New Librarianship Cambridge, Massachusetts : MIT Press
- Harney, S., & Moten, F. (2013). The Undercommons: Fugitive Planning and Black Studies. Wivenhoe: Autonomedia.
Films
- Alain Resnais (1959), Toute la mémoire du monde/All The Memory of the World
- Bregtje van der Haak (2014), Digital Amnesia
- Brian Knappenberger (2014), The Internet's Own Boy: The Story Of Aaron Swartz