Difference between revisions of "References"
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* Sharpe, C. (2016). [https://parallel-library.simonbrowne.biz/calibre/book/49 ''In the Wake: On blackness and being'']. London: Duke University Press. | * Sharpe, C. (2016). [https://parallel-library.simonbrowne.biz/calibre/book/49 ''In the Wake: On blackness and being'']. London: Duke University Press. | ||
* Lankes, R. D. (2016). ''The Atlas of New Librarianship'' | * Lankes, R. D. (2016). [https://parallel-library.simonbrowne.biz/calibre/book/50 ''The Atlas of New Librarianship''] Cambridge, Massachusetts : MIT Press | ||
== Films == | == Films == | ||
* Alain Resnais (1959), ''Toute la mémoire du monde/All The Memory of the World'' {{#ev:youtube|https://youtu.be/YAAXqTmAkmA}} | * Alain Resnais (1959), ''Toute la mémoire du monde/All The Memory of the World'' {{#ev:youtube|https://youtu.be/YAAXqTmAkmA}} | ||
* Bregtje van der Haak (2014), ''Digital Amnesia'' {{#ev:vimeo|105705326}} | * Bregtje van der Haak (2014), ''Digital Amnesia'' {{#ev:vimeo|105705326}} | ||
Revision as of 16:33, 2 October 2021
Books
- Whose Book Is it Anyway?: A View from Elsewhere on Publishing, Copyright and Creativity. (2019). Open Book Publishers.
- Cruz, M. I., & Rossenova, L. (2015). Bookspace: Collected essays on libraries. London: Inland Editions.
- Illich, I. D. (1985). Tools for conviviality. London: Marion Boyars.
- Sharpe, C. (2016). In the Wake: On blackness and being. London: Duke University Press.
- Lankes, R. D. (2016). The Atlas of New Librarianship Cambridge, Massachusetts : MIT Press
Films
- Alain Resnais (1959), Toute la mémoire du monde/All The Memory of the World
- Bregtje van der Haak (2014), Digital Amnesia