Difference between revisions of "References"
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== Suggested readings == | |||
* [https://parallel-library.simonbrowne.biz/calibre/read/20/pdf#page=107 The General Antagonism: An Interview With Stevphen Shukaitis] from Harney, S., & Moten, F. (2013). ''The Undercommons: Fugitive Planning and Black Studies''. Wivenhoe: Autonomedia. | |||
* [https://custodians.online In Solidarity with Library Genesis & Sci-Hub], November 2015. | |||
* Bodó, B. (2019): The science of piracy, the piracy of science. Who are the science pirates and where do they come from? [http://copyrightblog.kluweriplaw.com/2019/03/06/the-science-of-piracy-the-piracy-of-science-who-are-the-science-pirates-and-where-do-they-come-from-part-1/ Part I] + [http://copyrightblog.kluweriplaw.com/2019/03/21/the-science-of-piracy-the-piracy-of-science-who-are-the-science-pirates-and-where-do-they-come-from-part-2/ Part II] | |||
* Cruz, M. I., & Rossenova, L. (2015). [https://parallel-library.simonbrowne.biz/calibre/read/9/pdf#page=11 In Conversation with David Pearson]. London: Inland Editions. pp. 11-24 | |||
* Flusser, V. (1993) [https://parallel-library.simonbrowne.biz/calibre/read/27/pdf#page=102 The Future of Writing], from ''Vilém Flusser, Writings'', (2002), University of Minnesota Press | |||
* Mattern, S. (2019) [https://placesjournal.org/article/fugitive-libraries/ Fugitive Libraries] ''Places Journal'', October 2019. | |||
* Mars, M., Medak, T., Zarroug, M. (2015): [https://www.memoryoftheworld.org/blog/2014/10/27/public_library_an_essay/ Public Library (an essay)] | |||
* Mbembe, A. (2002) [https://parallel-library.simonbrowne.biz/calibre/book/52 The Power of the Archive and its Limits], Kluwer Academic Publishers | |||
* Ochigane, R. (2020) [https://logicmag.io/care/informatics-of-the-oppressed/ Informatics of the Oppressed] | |||
* Olson, H. A. (1998) [https://parallel-library.simonbrowne.biz/calibre/book/10 Mapping Beyond Dewey’s Boundaries: Constructing Classificatory Space for’ Marginalized Knowledge Domains], from ''LIBRARY TRENDS, Vol. 47, No. 2, Fall 1998'', pp. 253-254 | |||
* [https://parallel-library.simonbrowne.biz/calibre/read/49/pdf#page=126 Black Annotation, Black Redaction] from Sharpe, C. (2016). ''In The Wake: On Blackness and Being''. Duke University Press, pp. 113-120 | |||
* Kleesattel, I. [https://parallel-library.simonbrowne.biz/calibre/book/40 Situated Aesthetics for Relational Critique: On Messy Entanglements from Maintenance Art to Feminist Server Art], Stalder, F., Sollfrank, C., Niederberger, S., & Diaphanes. (2021). ''Aesthetics of the Commons''. pp. 181–197 | |||
* Weinmayr, E. (2019): [https://parallel-library.simonbrowne.biz/calibre/read/34/pdf#page=6 Confronting Authorship, Constructing Practices (How Copyright is Destroying Collective Practice)] in: ''Whose Book is it Anyway? A View from Elsewhere on Publishing, Copyright and Creativity''. Edited by Janis Jefferies and Sarah Kember | |||
== Books == | == Books == | ||
* [https://www.openbookpublishers.com/product/925 ''Whose Book Is it Anyway?: A View from Elsewhere on Publishing, Copyright and Creativity'']. (2019). Open Book Publishers. | * [https://www.openbookpublishers.com/product/925 ''Whose Book Is it Anyway?: A View from Elsewhere on Publishing, Copyright and Creativity'']. (2019). Open Book Publishers. | ||
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* Lankes, R. D. (2016). [https://parallel-library.simonbrowne.biz/calibre/book/50 ''The Atlas of New Librarianship''] Cambridge, Massachusetts : MIT Press | * Lankes, R. D. (2016). [https://parallel-library.simonbrowne.biz/calibre/book/50 ''The Atlas of New Librarianship''] Cambridge, Massachusetts : MIT Press | ||
== Films == | * Harney, S., & Moten, F. (2013). ''The Undercommons: Fugitive Planning and Black Studies''. Wivenhoe: Autonomedia. | ||
* Alain Resnais (1959), ''Toute la mémoire du monde/All The Memory of the World'' {{#ev:youtube| | |||
* Bregtje van der Haak (2014), ''Digital Amnesia'' {{#ev:vimeo|105705326}} | == Films & videos == | ||
* Brian Knappenberger (2014), ''The Internet's Own Boy: The Story Of Aaron Swartz'' {{#ev:archiveorg|https://archive.org/details/TheInternetsOwnBoyTheStoryOfAaronSwartz}} | * Alain Resnais (1959), ''Toute la mémoire du monde/All The Memory of the World'' {{#ev:youtube|YAAXqTmAkmA|280}} | ||
* Bregtje van der Haak (2014), ''Digital Amnesia'' {{#ev:vimeo|105705326|280}} | |||
* Brian Knappenberger (2014), ''The Internet's Own Boy: The Story Of Aaron Swartz'' {{#ev:archiveorg|https://archive.org/details/TheInternetsOwnBoyTheStoryOfAaronSwartz|280}} | |||
* Matthew Stadler (2010), ''What is Publication? A talk by Matthew Stadler'' {{#ev:vimeo|14888791|280}} | |||
Latest revision as of 18:20, 13 November 2021
Suggested readings
- The General Antagonism: An Interview With Stevphen Shukaitis from Harney, S., & Moten, F. (2013). The Undercommons: Fugitive Planning and Black Studies. Wivenhoe: Autonomedia.
- In Solidarity with Library Genesis & Sci-Hub, November 2015.
- Bodó, B. (2019): The science of piracy, the piracy of science. Who are the science pirates and where do they come from? Part I + Part II
- Cruz, M. I., & Rossenova, L. (2015). In Conversation with David Pearson. London: Inland Editions. pp. 11-24
- Flusser, V. (1993) The Future of Writing, from Vilém Flusser, Writings, (2002), University of Minnesota Press
- Mattern, S. (2019) Fugitive Libraries Places Journal, October 2019.
- Mars, M., Medak, T., Zarroug, M. (2015): Public Library (an essay)
- Mbembe, A. (2002) The Power of the Archive and its Limits, Kluwer Academic Publishers
- Ochigane, R. (2020) Informatics of the Oppressed
- Olson, H. A. (1998) Mapping Beyond Dewey’s Boundaries: Constructing Classificatory Space for’ Marginalized Knowledge Domains, from LIBRARY TRENDS, Vol. 47, No. 2, Fall 1998, pp. 253-254
- Black Annotation, Black Redaction from Sharpe, C. (2016). In The Wake: On Blackness and Being. Duke University Press, pp. 113-120
- Kleesattel, I. Situated Aesthetics for Relational Critique: On Messy Entanglements from Maintenance Art to Feminist Server Art, Stalder, F., Sollfrank, C., Niederberger, S., & Diaphanes. (2021). Aesthetics of the Commons. pp. 181–197
- Weinmayr, E. (2019): Confronting Authorship, Constructing Practices (How Copyright is Destroying Collective Practice) in: Whose Book is it Anyway? A View from Elsewhere on Publishing, Copyright and Creativity. Edited by Janis Jefferies and Sarah Kember
Books
- Whose Book Is it Anyway?: A View from Elsewhere on Publishing, Copyright and Creativity. (2019). Open Book Publishers.
- Cruz, M. I., & Rossenova, L. (2015). Bookspace: Collected essays on libraries. London: Inland Editions.
- Illich, I. D. (1985). Tools for conviviality. London: Marion Boyars.
- Sharpe, C. (2016). In the Wake: On blackness and being. London: Duke University Press.
- Lankes, R. D. (2016). The Atlas of New Librarianship Cambridge, Massachusetts : MIT Press
- Harney, S., & Moten, F. (2013). The Undercommons: Fugitive Planning and Black Studies. Wivenhoe: Autonomedia.
Films & videos
- Alain Resnais (1959), Toute la mémoire du monde/All The Memory of the World
- Bregtje van der Haak (2014), Digital Amnesia
- Brian Knappenberger (2014), The Internet's Own Boy: The Story Of Aaron Swartz
- Matthew Stadler (2010), What is Publication? A talk by Matthew Stadler